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Estonian Song and Dance Festival

Song Festival tradition in Estonia is 140 years old. Festival is an enormous open-air choir concert held at the Tallinn Song Festival Grounds with the participation of hundreds of choirs and thousands of singers. The number of participants in the Song Festival can reach up to 25 or 30 thousand, but the greatest number of people is on stage during the performance of the joined choirs—there are usually 18 000 singers on stage at that moment, and their powerful song touches even the most frigid Nordic disposition.

Due to the popularity of the festival, there is stiff competition among the choirs, and the repertoire is rehearsed for years in advance. Only the best choirs make it to the festival.

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History of the Song Festival

In the 19th century, Estonia was a province of the Russian Empire, where German upper class landlords ruled the Estonian lower class – the peasants. The 1860s marked the beginning of the period of National Awakening. The Song Festival tradition began with the first Song Festival organised by Johann Voldemar Jannsen and the “Vanemuise” Society in Tartu in June 1869. Fifty-one male choirs and five brass bands encompassing 845 singers and musicians gathered in Tartu. The first Song Festival was a high point for the Estonian national movement. The Song Festival was also a great musical event, which created the Song Festival tradition. Six Song Festivals were held from 1879-1910, and they played an important role in the nation’s cultural and economic awakening and growth. The tradition of holding Song Festivals every five years began during the first Estonian independence. During World War II the tradition of Song Festivals was interrupted, but it began again in 1947. Since 1950, the Song Festivals have been held every five years. 1969 was an exception because the 100th anniversary of the Song Festival was celebrated. The Song Festivals have taken place regardless of the political situation. The foreign authorities have tried to use the Song Festivals in their own interests. The Soviet regime always tied the Song Festivals to the “red holidays”. Foreign and propagandist songs had to be sung in order to preserve the chance to sing Estonian songs. A good example of an Estonian song was “Land of my Fathers, Land That I Love” (“Mu isamaa on minu arm”), which during the occupation years became an unofficial anthem for the Estonians, and which, performed by the joined choirs to the standing audience, ended every Song Festival.

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Lauluväljak

The I, II, IV and V Song Festivals took place in Tartu, the rest in Tallinn. The present Song Festival Grounds beheld the first festival in 1928, on a specially erected stage. The present stage was built in 1960, when the XV Song Festival took place. The biggest joined choir that has ever sung on that stage was 24 500 people (during the 100th anniversary in 1969). The joined choir usually comprises of 18 000 people, the whole Song Festival team 25-30 000 people. On the Song Festival Grounds there is space for more than 100 000 spectators.

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